Campbell’s Universal Mythology

Among the five most important books I’ve ever read was The Power of Myth, by Joseph Campbell. It was assigned to the other section in my high school English class, but my teacher offered me a copy, somehow sensing that I would love it. This book—in fact it is the transcription of a series of interviews Campbell participated in near the end of his life—was my first real glimpse into the all-important notion of the hero’s journey.

Seriously, you’ve gotta read this book.

Campbell’s main thesis is that all mythologies reflect the same basic storyline, one that is derived from our common evolution and biological life process. This monomyth features familiar tropes such as the call to adventure, the road of trials, the goal, and the return to the ordinary world. At its core, the hero’s journey describes a chosen individual who must face and overcome difficulty, growing in the process. In Campbell’s own words:

A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.

Many would argue that the quintessential hero’s journey is of course Homer’s Odyssey. Its derivative works, from Keeley’s Ithaka to Tennyson’s Ulysses, have become classics in their own right. The most important aspect of the common storyline, however, is in realizing that it is a metaphor for the human experience of growth. Campbell speaks of the life stages of childhood, adulthood, and old age that we all experience. Desire, weakness, bravery and triumph are tropes of our literature (both sacred and profane) because they exist within ourselves.

Perhaps the most beautiful thing about the study of the humanities is that the more you learn, the more your classes seem to overlap, telling the same tale in various ways. This Renaissance value of the enlightened person bettering both themselves and others through broad learning is a tradition you and I are carrying on with our decision to major in or study English in any capacity. While the world no longer operates under the notion that there is one universal morality, the utility of our study is rather found in our ability to commiserate with others’ own stories and use the framework of the universal myth to address whatever unknown problems we and humanity in toto will face. In Campbell’s own words:

On this immediate level of life and structure, myths offer life models. But the models have to be appropriate to the time in which you are living, and our time has changed so fast that what was proper fifty years ago is not proper today. The virtues of the past are the vices of today. And many of what were thought to be the vices of the past are the necessities of today.

I should note that many will be familiar with Campbell’s actual magnum opus, The Hero with a Thousand Faces. The Power of Myth is simply a shorter and more digestible version, in my opinion, and serves as a fine introduction.

Oh—and if you’re already a fan of Campbell, Ishmael by Daniel Quinn is your next required reading. Once you’ve got your mind wrapped around the idea of the hero’s journey, the next step is to take on factual relativism.

Why I love Star Wars (or, John Williams is the Man)

Originally, I thought I might just write that as my title, and then not talk about Star Wars at all (huzzah for in-jokes) but then I realized that you can relate Star Wars to anything, and therefore I can write about Star Wars for this topic.

I first watched A New Hope when I was really young–in fact, we still have the old VHS tapes from when Lucas released the new-and-improved versions of the original trilogy (you know, with the Jawa falling off the  Ronto and the more-crowded cantina and Han shooting second). I think it might have been those first few viewings of that galaxy far, far away that turned me into not only a fan of SciFi, but of adventure–particularly quest romances.  I devoured old myths and fantasy/sci-fi novels as I grew up, never realizing that these stories  had a lot of the same traits until I read Eragon (caution: spoilers ahead!). When Eragon finds out that the right-hand man of evil, Morzan, is his father, all I could think of was Luke and Vader on Cloud City. The light bulb flickered on, and after that,  I really dove in, looking up Hero of a Thousand Faces and just about everything else Joseph Campbell wrote, comparing legends and myths from various civilizations and, of course, writing my own stories as well. Call it escapism, a hobby, an antisocial activity–whatever you like. You’ll still have to admit that there’s something in Star Wars (and in any quest romance) that makes you want to be a part of it.

Quests are a part of life. Most have meaning only for you, but they’re still there. Whether you’re walking across campus to find a professor’s office or writing a paper or applying to college, you’re on a mission–a quest, in other words. What Star Wars gives us is a series of quests that have more meaning than a paper or a long walk. Star Wars does combine the best of adventure, romance, mysticism, science, and unexpected plot turns, but what really makes it special are the quests the story focuses on. Luke, a farm boy longing to follow in his father’s footsteps and become a Jedi; Leia, the princess, bravely leading a rebellion against an evil Empire; and Han, the scoundrel, just out to keep his neck intact and his wallet full of credits at the end of the day. The success or failure of their quests, unlike your paper, matter to everyone around them. If the Rebel Alliance succeeds, the course of history changes drastically, and thousands of worlds will be freed from Imperial tyranny. Or, the Empire could crush them and then extend the grip of the Dark Side even further. Everything (almost literally; the Empire can blow up planets, you know!) hangs in the balance of their quests. Lives, planets, the balance of the Force–it all depends on them. Your paper, on the other hand, makes up a fraction of one of your many grades, which in ten or twenty years you will not even remember.

Just in case you’re not convinced, watch this, and just try to tell me it’s not awesome:

Remember: the Force will be with you, always.


Edit: I completely forgot to cite the video. Thanks Prof. Hall 😀

Moosebutter, comp. Star Wars An A Capella Tribute to John Williams. Perfs. Corey Vidal. 2002.