The Growth of Mobile Gaming

“The screen is just too small”, “Control systems are poor”, and “There is little to none quality control” – these comments are what we normally heimage fortnight gaear from gamer with respect to mobile game. However, there is a fact none of us can deny: we have all played mobile games, whether frequently or not. People choose to play mobile game for a variety of reasons, including its portability which means you can play on the go. And for those reasons that mobile game, introduced to the large world audience long after PC game, has gained the most popularity over any other gaming mediums. In order to understand more about this ever-growing field of mobile gaming, we have to take a brief look at the history of it.

The $47 billion worth mobile gaming industry with roughly 180 million users took off in 1994 with the first mobile game ever Tetris, launched aboard the Hagenuk MT-2000, a phone designed and manufactured in Denmark by the Hagenuk Corporation. At that Tetrismoment, Tetris was already 10 years old and had conquered the world of gaming, coming right from the Soviet Union. The tile-matching puzzle video games requires players to stack tetrominoes (geometric shapes of four square blocks each) while making sure the figures don’t stack to the top of the playing field.

If Snake and Tetris are the first generation of mobile game, the second generation is WAP games. Wireless Application Protocol (WAP) is a standard given to technology to enable mobile device to connect to the internet and by the late 1990’s there was a micro-browser that could run on mobile phones together with a version of the web called UP Link. Nokia, Motorola and Ericsson joined together and with the WAP Forum now called the Open Mobile Alliance, a partnership began which ensured standardization in Europe. When mobile phones and WAP combined together, the basic ecosystem was created that allowed developers to make games and sell them to the willing public.

Technology kept improving to provide better quality games on mobiles; however, it wasn’t until 2007 that the newly introduced iPhone marked the beginning of a new era for mobile gaming.apple-iphone-game This excellent piece of technology worked well and with the launch of the App Store in July 2008, the mobile games industry had a platform that enabled consumers to buy their favorite games directly to their phones via iTunes. This new platform also enabled the developers to sell their games directly to consumers without the hassle of dealing with operators or publishers. With the App Store accepting over 1,000 new apps per day you can download anything that interests you, and gaming titles kept growing exponentially.

With the introduction of the Google Play store with Android games, alongside the success of Apple Store, tens of thousands of new games were published every year, with Angry Birds reaching 17000 daily installation, Candy Crush Saga receiving more than $1.5 million dollars every day. Moreover, you can now play a lot of classics games on mobile version such as Portal, Paper Please, Sonic the HedgeHog, Pac-man.. The ability of mobile technology to simulate games on PC makes the industry even more appealing to a larger audience.

Let’s take a look at the mobile gaming industry in relation to other gaming industries. The mobile gaming industry is an absolute record breaker. With an ever-growing number of smartphone users expected to go over 5 billion in 2018 (considering the world’s population is 7.6 billion), it is no wonder social and casual mobile games win wider audiences. This steady growth is partially stimulated by the influence of the Asian countries, China, South Korea, and Japan. GTAIn contrast to Europe, Asian gamers are more likely to adopt smartphone games, not PCs or consoles. In the past few years, mobile devices have undergone notable changes. Their processors have become more powerful, and RAM sizes have increased at warp speed. This has brought them close to being competitive with PCs, especially when mobiles devices began using the cloud. With the plethora of devices developed, a gamer simply plugs his mobile phone into the docking station connected to a large screen and enjoys the game as if it was launched on a PC. Mobile screens have increased in size and resolution. It has become possible to play games only available on computers a few years ago, for example Grand Theft Auto Vice City.

2012-2021-global-games-market-1200x743The figure above shows that mobile game is on its way to dominate the gaming industry. There are trends on mobile gaming now that make the industry even more friendly towards users. With cutting-edge advancements like Google Daydream and Samsung Gear VR, we can say we will sure see new improvements in the in the space of virtual reality experiences. Due to thrills of live events and activities, today’s mobile games offer much more than just fun and entertainment. Developers nowadays leverage certain live elements of the mobile games to create interest, retention, and loyalty.

Multi-player game development has begun to flourish even more and integration of social activities has become an integral part of modern mobile games. On the left is a picture of me playing Pubg mobile with my friends.PIC Pubg Another trend is offline games that allow players to continue their game sessions even when internet connectivity falters especially during traveling. Below is the image of one of my games playing World Conqueror 2 offline.

game choi vs banOffline game Fruit Ninja has earned the reputation of the most downloaded offline game in Apple store and made $1 million per month. In conclusion, mobile gaming is gaining much wider reach and impact than PC and console games. And all the credit goes to affordable prices, creative graphics, technology-enabled improvements and user-friendly themes.

Source: https://dzone.com/articles/9-trends-that-will-define-2018s-mobile-gaming-outl-1

https://www.mobvista.com/en/blog/mobile-gaming-now-bigger-console-pc-gaming-combined-still-growing-always-changing/

https://www.innovecs.com/ideas-portfolio/mobile-gaming-vs-pc-gaming-tendencies-in-game-industry-development/

An Mai

 

Advertisements

Bloody Tears of Agony

by Calvin Patimeteeporn

 

Professor Hall:

Imagine you are playing the game Tetris. You’re playing along but you slowly begin to realize that the game is only giving you the awkward (and devastating) “Z” shaped blocks and you can never make a line. No matter how hard you try, the blocks fall down in unwanted patterns, creating tiny spaces that prevent you from your goal. Even though these “Z” blocks have the same number of blocks (4) as the other pieces you need, you are not able to win.

Now retain with this image but add bleeding tears of agony.

This, Professor Hall, is what reading Faerie Queene by Edmund Spenser is like:

bleeding

If you think this is bad, you should see me when I read Twilight.

Continuing with my Tetris metaphor, while the number of “blocks” of the “Z” shaped blocks are the same as the others, its the arrangement that throws you completely off. Spenser wrote this epic (epic in its actual definition, rather than the modern slang) in a time where spelling was just as set in stone and mature as Stephanie Meyers’s writing ability. Thus, words he used were spelled completely differently than that of today, resulting in eye-bleeding-worthy confusion. Misspellings and archaic diction both contribute to the verbal pandemonium that ensues when encountered with non-literature savvy people. Much like the scenario in the game above and with Spenser’s work, you can’t win.

 

As well as confusing words, the structure of Spenser’s writing brings grief and frustration as well. Last week in biology, I learned that only 3% of the billions of base pairs in our genome actually code for proteins. This is much like Faerie Queene where basically most of the words used are, for the lack of a better term, junk. There is a small percentage however that actually contribute to story. In Book III Cantos iii, Glauce, the nurse to warrior maiden Britomart, takes said maiden to Merlin to seek help, as Britomart has been struck and sickened by love. Merlin explains to her that she is falling for her destined husband, Arthegall. He could have done so in maybe a few stanzas. However, Spenser decides to switch the characteristics of the wizard Merlin out with that of the Twilight saga, boring and far too long.

Faerie Queene is filled with enough odd spellings to make anyone think they are as illiterate as R. Kelly, and enough unwanted material that Matthew McConnaughey would think he has competition for the next  new romantic comedy movie. So here I warn you Professor Hall, approach Faerie Queene with the caution you would use with a rabid bear. Now if you will excuse me, I feel like this eye bleeding problem has gone out of control.

You are a part of the Rebel Alliance and a traitor! Take her away!

by: Calvin Patimeteeporn

Concerning the debate between whether either storyline or gameplay is of higher priority, I have been primarily set on gameplay first, storyline second most of my life. With my experience with early games, storyline seemed pretty useless. However, these games were usually those where storyline would probably be a liability or completely unneeded.

TET

“Oh no! If we don’t make these blocks line up the whole world will explode!”

This progressed through childhood. When I picked up the Pokemon games, I would completely fly past any text and mash the “A” button to breeze by any dialogue. All I cared about was leveling up and beating the Elite Four, winning over the evils of Team Rocket seemed completely irrelevant and boring.

But one game decided to help me see the other side of gaming, the storyline. This game was, of course, Knights of the Old Republic. While I was already a huge Star Wars fan, I was still intent on hacking and slashing through sith and evil droids with my lightsaber . However, when I sat down to actually play it, I was captivated by the narrative and story-based gameplay. Each event and how people interact with your character was completely based upon the choices made by the character, or realistically, me. This was a drastic change of mindset from Dr. Mario where shoving pills down people’s throats required no thought (though it really should have).

Looking back, I realize now that the combat and interface system of the game were a little choppy and not as great as they could be, but I never really cared about it because I was captured by the storyline like the Millennium Falcon was trapped by the Death Star’s tractor beam. The game provided the characters with choices to determine the players alignment with the Force. Either help civilians and fight for justice, or succumb to anger and unleash fury upon the galaxy. This struck me as a great example of one of Wark’s passages where he states that “The gamer elects to choose sides only for the purpose of the game.” (Wark, 012). While, normally people don’t think about killing innocent civilians and idolizing corruption (or at least I hope they do not) they are able to choose a different persona and run freely in the gamespace. This is awesome (in short). So, of course I did this too:


“Bow to your new Sith Lord, Darth Vortrag Nefarious”

So thank you Star Wars, I’ve developed a whole new view on gameplay vs storyline. When a game, though the controls and interface may be sub-par, the storyline is completely 100% capable of making up for this liability. This also benefits by helping immerse the gamer into the virtual world, which, sadly, is still just a virtual world and that completely inaccurate Sith Lord version of myself (though very powerful) is still just a figment of imagination within a game. But if a game can make me draw myself as a Sith Lord, it is definitely worthy of my praise and admiration.

You will now have to excuse me, I have a Sith Empire to run.