Making an Unofficial Movie Trailer

So I chose to make a movie trailer. Image result for tatiana choices gif

Initially, I thought, “piece of cake,” because of that project before where we had to make a YouTube video from start to finish and deal with copyright claims if they should arise. And then it’s Patchwork Girl. It’s a relatively obscure piece of literature over twenty years old with no linear story, so no beginning, no end… (Plot? We don’t know her.) … and every time you go through the story it’s different.

I thought I had it all figured out… 45 seconds to a minute worth of content set to “Death on Two Legs” by Queen, whatever, boom, boom, boom…a pretty decent trailer. It started off with something insufferable, that Clip from the 1931 Frankenstein “It’s Alive™️” and that floating head from the intro of the Patchwork Girl of Oz movie (truly terrifying). It was set to the crescendo build from an instrumental version of “Death on Two Legs” then  moves to the cinematic elements: “Eastgate Presents…” yada-yada. I had timed the title page to appear right at the downbeat of the piano (very sexy) and the rest of it was just a video clip of someone showing the mechanics of how the software worked to navigate the story. I thought I was Spielberg. I was very proud of myself.

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Anyway, I was wrong.

I showed to my mom, who in so many words, told me she hated it. But really it was that she couldn’t get a good grasp as to what the story was about. And taking a step back…she was right.

So now I’m revamping the whole thing. Like, I’m trimming clips, finding new music, making hyper-specific Google searches and turning up empty-handed, using obscure media, scouring the depths of YouTube for symbolism, and then I’ve finally got it: the original Frankenstein clip, the floating head, a clip from the 2004 movie adaptation of Andrew Lloyd Weber’s Phantom of the Opera, a picture of Mary Shelley, a video of Shelley Jackson, and a montage of clips I spliced and edited together from a two minute trailer of the Mary Shelley movie that came out last year.

The editing process was grueling: the clips I used were, at normal speed, between four and twenty seconds, so I’m having to speed up and slow down certain clips, while avoiding it being too fast or too slow. Then there’s the issue with the text: I had already found pivotal quotes, general enough to make a linear story out of a non-linear one, geez, but the text. I never could really time it right so that the text appeared at a normal speed; I had looked at it enough that I could read a line in less than a second (one of my shortest clips was around 0.7 seconds) but that was one sacrifice I made for the sake of the aesthetic®️.

Then there was the question of the music. 

d3b70b06da1ecfb99525fb90cf0bbe6bbd24f9d7_encoded.gif“Death on Two Legs” was clearly not the right choice for the video, and I’m frantic. I’m on Spotify trying to figure out what music would fit the gravity of the trailer. It’s kind of serious now, and although “Death on Two Legs” is operatic masterpiece, it was just too jarring and didn’t match cinematically with the new clips I’d picked out. My first direction was moving to video game soundtracks, because the intent is to make you focus on the gameplay, and my main choice was Mass Effect 3: I loved the game, loved the soundtrack, what could go wrong? And I was listening and it didn’t fit–I’m at my wit’s end. What music am I going to use for this trailer?

Then I’m thinking, “Okay! Why not use the soundtrack from the Mary Shelley movie?” I’m a genius.Image result for tammie brown i'm acting gif So I listen to every one, and every song sounded like some spectral Celtic woman with red hair sighing woefully in a mist-filled forest (perfect) and they all fit. So I just had to pick one. I believe the song was called “Mary’s Decision” so I put it in iMovie, trimmed the song and added a fade. It’s gorgeous. I’ve done it. Queue video.

After the whole fiasco with the first YouTube video I made receiving a worldwide copyright claim from Viacom within seconds of it being uploaded, I was still worried about copyright claims when I uploaded this one to YouTube (thankfully, I never got a strike/claim, although I think I used copyrighted material)

Then I made the poster. Pretty easy, I had a solid image in my head of what I wanted it to be: a woman with a skull over her face. Color scheme: black, white, and red. Patchwork Poster.jpg

I made some edits in PowerPoint of all places, downloaded some new fonts (for the poster and the video), and I’m satisfied with it. It’s minimalistic but I think pulls the point across nicely.

And I guess as a nice bonus, the people who watched it at the event asked if I considered a career in film editing so…

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–Ishah Blasio

 

Youtube: TV of the Future

I’m an animator, though I’ve never gone to school for it. I have a channel without a corporate backing. I’ve gotten a network offer, even though I’m an amatuer artist. The internet, over the past couple of years, has made possible for entertainment what it made possible for small businesses. You can get started in your room, garage, or basement towards making a livelihood for yourself in the arts.

So, how does it work? I’ll focus on Youtube. Most people know that they can create a Youtube channel. From there, one can get subscribers, who will receive updates when you post new content. Starting not too long ago, anyone can become a Youtube partner. It’s basic and you have to extensively prove your rights to upload your videos, but this provides a primitive business model for monetizing content through ad revenue. Here’s some info on it: https://www.youtube.com/yt/creators/creator-benefits.html

This is where it gets fun. To mediate the legal issues of copyright, as well as consolidate popular channels, third party networks sprung up. Through these networks, content creators can get better deals on their ad revenue and make videos based on more intellectual property, as the Networks will often pay for permission in bulk from, say, a game development company. It’s a win-win provided that the network is genuine. My offer came from BroadbandTV network, which is a large network that specializes in gaming-related content.

Here is a list of the top networks by their subscribers:

http://socialblade.com/youtube/top/networks

The significance of all of this comes from the fact that indie content creators have an incentive to post quality content frequently, as they can now be more properly compensated. Youtube has grown from a site for people to share their videos to a platform for video production into which people put huge amounts of time and effort (my most recent animation took me a few months to complete).

It’s an exciting time to be a content creator, and I’d encourage artist, musicians, producers, and all other creative types to take full advantage.

-MEvelop